Showing posts with label Paul Henreid. Show all posts
Showing posts with label Paul Henreid. Show all posts

Wednesday, October 26, 2011

Goodbye, Mr. Chips (1939)

Mr. Chipping (Robert Donat) is a teacher at Brookfield Academy, a British boarding school. Unfortunately, he's not a very good teacher. None of the boys like him. None of the other teachers do either. None except Staefel (Paul Henreid), the German teacher. One summer, Staefel invites Chipping to come along with him on a walking tour of the Tyrol. Chipping reluctantly agrees. It is a decision that will change his life. While climbing a mountain in Switzerland, Chipping becomes lost in dense cloud cover and stumbles across Katherine (Greer Garson), who is also lost. They decide to wait together. They share sandwiches. They share a coat. By the time they are rescued, the die has been cast. When Mr. Chipping returns to Brookfield for the start of the new season, he brings with him Katherine as Mrs. Chipping. Katherine has a decidedly positive effect on everyone she meets. The other teachers go gaga over her, as do all of the boys. More importantly, though, Katherine changes Mr. Chipping. She softens him. She opens him up. Where he was once a strict disciplinarian, he now overlooks little infractions of the rules. Where he was once stern, he now begins to tell jokes. This, of course, has a marvelous effect on the boys. No longer do they fear him. Instead, they all like the person he's become. He is now Mr. Chips, the beloved schoolmaster. But life has more turns in store for Chips. With little warning, Katherine dies giving birth to their first child. The child dies too. At first, Chips is devastated. Then, he realizes that Katherine will always be in his heart. As the years go by, Chips guides many young boys through adolescence and into manhood. During World War I, Chips comes out of retirement and takes over as headmaster of the school, shepherding Brookfield through the dark days of the war, watching with growing sorrow as so many of his former students and colleagues march off to their death. Finally, old and frail, Chips too must shuffle off this mortal coil. While on his deathbed, one of his friends says that it's too bad Chips never had any children of his own. Mr. Chips replies that he had hundreds of children, and they were all boys.

Sam Woods' Goodbye, Mr. Chips is a sappy, sentimental film about the effect one school teacher can have on the lives of many pupils, and the effect those pupils can have on the life of that one teacher. It's also a film about redemption, as the unpopular Mr. Chipping is transformed by his love for Katherine into the much-adored Mr. Chips. Having never read the James Hilton novel on which it's based, I don't know how faithful this version is to the original, but it is my favorite version of this story (at least one other version was filmed in 1969, a musical starring Peter O'Toole). I love watching the transformative effect that love has on Mr. Chips. I also enjoy watching the friendship that grows between Chips and Staefel, a friendship that endures even when they are on opposite sides during the war. Robert Donat is wonderful as both the severe Mr. Chipping and the lovable Mr. Chips. They do a pretty good job of aging him down through the decades too. He's really quite believable as the young, the middle aged and the elderly man. Of course, Greer Garson is radiant as always as the gentle, loving Katherine who always sees the good in everyone. It's also fun to watch the parade of Colley's who come marching through the school - John, his son Peter I, followed by Peter II, and Peter III, all played by young Terry Kilburn. If you're in the mood for a good tear-jerking, feel-good film, then Goodbye, Mr. Chips is just the ticket.

Goodbye, Mr. Chips is rated G. It's filmed in glorious black and white and has a runtime of 114 minutes.

Wednesday, August 3, 2011

Between Two Worlds (1944)

London, during the German Blitz. A group of passengers is waiting to board a liner to America and away from the horrors of Total War. Tom (John Garfield), a jaded reporter; Maxine (Faye Emerson), Tom's former girlfriend; Mr. Lingley (George Coulouris), a greedy tycoon; Pete (George Tobias), a sailor on his way home to see his new son for the first time; Mrs. Midget (Sara Allgood), a poor Irish woman; Reverend Duke (Denis King), a meek man of the cloth; Mrs. Cliveden-Banks (Isobel Elsom), a class-conscious social climber; and Mr. Cliveden-Banks (Gilbert Emery), her long-suffering husband. As they are heading to the dock, their car is struck by a bomb , and they are all killed. Later, though, they find themselves on a luxury liner, unaware that they are dead. The only other people on the ship are the steward, Scrubby (Edmund Gwenn) and a couple who committed suicide together - Henry and Ann Bergner (Paul Henreid and Eleanor Parker). As the ship sails on and the passengers attempt to amuse themselves, the characters' lives unfold as we expect they will - after all, they are all stereotypes, albeit comfortable ones. One by one, they become aware of their state, and fear and denial are replaced by resignation as the ship nears its final destination and the passengers prepare to meet the Examiner (Sydney Greenstreet). Each will be judged for how they lived their lives and assigned their just deserts, all of which are imaginative and satisfying.

I first saw Between Two Worlds when I was a kid, and it has stuck with me down through the years. I love everything about this film, with the possible exception of the denouement, which I have always felt robbed the story of its impact. But the rest of the film is wonderfully moving - at times funny, at other times poignant, as the characters come to terms with the fact that their mortal lives have ended. I especially enjoy the eternal reward granted to the snooty Mrs. Cliveden-Banks, and the frank dismissal of the grasping, evil Mr. Lingley. If you're feeling the need to be reassured that the wicked are ultimately punished for their crimes, then Between Two Worlds is the feel-good film for you.

Between Two Worlds is rated G and is available in glorious black and white.

Monday, August 1, 2011

Casablanca (1942)

Casablanca. It's hard to know exactly what to say about what is arguably the greatest movie ever produced. It's right up there with Citizen Kane. I mean, they don't come any better than this. Casablanca. Even the title conjures up images in our minds - the hot sun, the stuccoed buildings, the lazily-turning ceiling fan, the crowded market place, the furtive glances, the shadowy figure standing just out of sight, the blood running between the cobblestones in the street. And yet, most people I know have never even seen the movie. And then there's that quote. You know the one. Most people get it wrong. Still, it's part of American culture.

Casablanca follows the adventures of American ex-pat Rick Blaine (Humphrey Bogart), his one-time love Ilsa Lund (Ingrid Bergman) and her husband Victor Laszlo (Paul Henreid). Blaine is an idealist who fought for the Loyalists in the Spanish Civil War, ran guns for the Ethiopians, and edits a newspaper in Paris, where he meets and falls in love with Ilsa. When the Nazis invade Paris, Ilsa and Rick decide to escape on the last train out, but Ilsa never shows up. Standing on the platform in the pouring rain, Rick reads Ilsa'a "Dear John" letter. As the rain washes her words off the paper, Rick's piano-playing friend Sam (Dooley Wilson) drags him onto the train. The embittered Rick ends up in Casablanca, in French Morocco, where he opens Rick's Café Américaine, a bar where all of the hapless foreigners show up to gamble, to plot their escape, to steal or simply to drink their troubles away.

All of this is shown in a superb flashback that occurs about a third of the way through the movie. When Ilsa shows up at Rick's with Laszlo - one of the heroes of the French underground - we don't know why Rick looks like he's about to toss his breakfast, but Sam does. Laszlo needs to get to America or England. The Nazis want to stop him. The French Chief of Police, Louis Renault (Claude Reins), worries that his corrupt, albeit comfortable, life is about to be seriously disrupted. Rick has letters of transit that will get two people out of Casablanca, but he refuses to sell them to Laszlo. Rick wants to hurt Ilsa as much as she hurt him, not seeing - at least not at first - that she's already hurting just as badly. She's married to Laszlo, who loves her dearly, but she's in love with Rick, who loves her even more. The final scene at the airport is one of the greatest in all of motion picture history.

Director Michael Curtiz makes the most of Julius and Philip Epstein's screenplay, and the score by Max Steiner is one of the best ever produced. Notice how he weaves the pop standard "As Time Goes By" and "La Marseillaise" throughout the score. If you've never watched Casablanca, rent it soon. Find out what all the fuss is about. Discover for yourself why Rick wants Sam to play it again. My guess is you'll want to do the same.

Casablanca is rated G and is available in glorious black and white.