Showing posts with label Murder. Show all posts
Showing posts with label Murder. Show all posts

Monday, August 22, 2011

A Soldier's Story (1984)

Louisiana. 1942. Pearl Harbor has been attacked. American is at war. And on a lonely stretch of country road, a black man has been murdered. Shot. Problem is - he's a sergeant at the local Army post. This one won't get swept under the rug. The Army wants it investigated. They send down a new young lawyer, Captain Davenport (Howard E. Rollins, Jr.) from the JAG. He's black too. No one's ever met a black officer before. As you can imagine, this ruffles a few feathers, especially in Louisiana during the Jim Crow days. Trouble starts immediately. Captain Davenport isn't housed with the other officers. Instead, he's billeted in a deserted barracks on the other side of the base. The first of many insults. But Davenport keeps his cool. He needs to. He has a job to do...well, two jobs really. The first is to find out who murdered Sergeant Waters (Adolph Caeser), and the second is to be an example to everyone, proof that black people can be officers and gentlemen. Rollins is both. Most people think that Waters was killed by one of the local white people, but Davenport has other ideas. He doesn't question the townsfolk; he questions Waters' own men instead. As the film progresses, a portrait of Waters emerges and it ain't a pretty one. Waters was a bitter man, and man driven mad by prejudice and discrimination, a smart man constantly told that he wasn't good enough to go any higher, an Army sergeant constantly referred to as "boy." Slowly his resentment grew over the years, but that resentment wasn't directed at the white people who discriminated against him. Rather, Waters directs it towards his own race, especially towards those blacks that he feels make his race look bad, those who act subservient, those who step-n-fetch, those who lack the degree of gravitas which he feels he possesses. And so, he drives his men. And he torments those he feels aren't doing good enough, torments Private Smalls (David Harris) until he takes his own life. This makes another soldier, Private First Class Peterson (Denzel Washington), very angry. Angry enough to kill.

Based on the Pullitzer Prize winning play by Charles Fuller, Norman Jewison's A Soldier's Story is one of the best movies about racism and its effects that I have ever seen. It portrays racism within the same race, something that results when one race is perpetually discriminated against by another. Blacks began thinking that if they could just be more "white," then whites would stop discriminating against them. This philosophy led some blacks who attempted to "assimilate" to start looking down on those who didn't. They saw them as weak and inferior. Saw them as holding back the race. Nonsense too, since the only ones holding blacks back were whites. But such is the power of racism. It twists the world into a new reality that in turn twists minds into something altogether new as well. And Sergeant Waters was one twisted man indeed, as he relates how he and his comrades once slit the throat of another black soldier who they felt had shamed their race. Waters felt that Private Smalls shamed his race too. Private Peterson feels that Waters isn't good enough to be black. Captain Davenport wonders who gave these two the right to decide who is and isn't good enough to be black. Smalls and Waters will be laid to rest in the Louisiana soil, but the effects of racism, the effects of slavery, will take a lot longer to lay to rest. But A Soldier's Story seems to hint that it will happen...some day, when the fighting is all over.

A Soldier's Story is rated PG.

Thursday, August 18, 2011

I've Loved You So Long (2008)

Many movies deal with finding, arresting, trying and imprisoning murderers. Few movies deal with what happens to them when they get out of prison. Philippe Claudel's I've Loved You So Long does just that. It picks up where the other movies leave off, when the offender is released. Kristen Scott Thomas portrays Juliette, a woman who has been in prison for the last fifteen years. Now she's being released. Her younger sister Lea (Elsa Zylberstein) picks her up at the prison and drives Juliette back to her house. Juliette doesn't seem overjoyed at the prospect, but she has no where else to go. Lea is nervous and vainly tries to make small talk. It's awkward. Lea lives with her husband, Luc (Serge Hazanavicius), her two adopted Vietnamese daughters, and Luc's father, Pappy Paul (Jean-Claude Arnaud). Luc is uneasy about having Juliette in their house. Pappy Paul doesn't speak anymore, but he seems to understand what's going on around him.


Juliette has committed an unpardonable crime. Even though she's served her time in prison, her sentence isn't over. Everybody knows what she did, and few are willing to forget it, or let her forget either. The only one who really seems to understand is her parole officer. The rest are a mixed bag. Some try to understand, but don't. Some don't even try. Lea wants to understand, but Juliette is loathe to explain. She had very good reasons for doing what she did, but they're hard to reveal. They talk around her crime, never quite about it. Slowly, cautiously, Juliette unfolds. It's not easy. Fifteen years in prison have taught her to keep her guard up. Now everyone expects her to drop it. But how do you break a fifteen-year-old habit? Eventually the truth will come out, but it's painful, arduous, like an extended labor that gives birth a new life. In this case, the new life is Juliette's. Yet she carries with her the memory of the life she took. That burden will always be with her. But in the end, we're left feeling that she'll be all right carrying it. Especially since she's letting Lea help her.


I've Loved You So Long is a touching, heartbreaking movie. Like many French films, it doesn't follow the conventions of American cinema. This is a gentle film about the consequences of a violent act on the lives of the people involved. Just when you are expecting the loud scene that would occur in a stateside production, the film goes off down a quieter path. When the secrets are all revealed, there is forgiveness, which can sometimes be harder to deal with than blame. As the haunted Juliette suddenly thrown back into the world of the living, Kristen Scott-Thomas seems almost brittle. You think she will shatter at any moment. Don't worry though. She won't.


I've Loved You So Long is rated PG-13 and is available either in French with English sub-titles or dubbed into English.